STRUCTURAL DAMAGE TOUR
Images
from the
tour are
HERE
Andrew Czink,
keyboards
John Oliver, guitar & electronics
plus special guests
Ron Samworth, guitar/electronics (Canada)
Yasuhiro Otani, powerbook/MAX (Japan)
Kazuhisa Uchihashi, guitar/electronics (Japan)
CROSS-CANADA TOUR, FALL 2002
When and Where...
| DATE | PLACE | HALL | TIME |
TICKETS
|
Web Site
|
|
Wed, Sep 25 |
Sackville NB | Brunton Auditorium,
Marjorie Young Bell Conservatory of Music, Mount Allison University |
8:00 PM |
(506) 364-2374
|
 |
| Fri, Sep 27 | Moncton NB | Gallerie
sans nom, Théâtre l'Escaouette, Aberdeen Centre |
8:00 PM |
(506) 854-5381
|
|
| Sat, Sep 28 | Halifax NS | Church on North
Street, 5657 North St. |
8:30 PM |
902.461.1232
|
|
| Mon, Sep 30 | Wolfville NS | Acadia Univcersity Denton Auditorium |
12 :30 PM |
(902) 585-1512
|
|
| Wed, Oct 2 | Antigonish NS | St, Francis of
Xavier Room 138, Nicholson Hall |
8:00 PM |
867-2106
|
|
| Fri, Oct 4 | Montreal | Guitarévolution Maison de la culture Mont Royal 465, ave. du Mont-Royal Est |
8:00 PM |
(514) 872-2266
|
|
| Sat, Oct 5 | Toronto |
Music Gallery |
8:00 PM |
(416) 204-1080
|
|
| Tue, Oct 8 | Edmonton | Convocation Hall, U. of A. | 8:00 PM |
(780) 492-0601
|
|
| Wed, Oct 9 | Calgary | Engineered Air
Theatre, 205 8th Ave SE |
8:00 PM |
(403) 220 7202
|
|
| Thu, Oct 10 | Winnipeg | Groundswell Franco-Manitoban Cultural Centre, 340 Provencher Blvd |
8:00 PM |
(204) 943-5770
|
|
| Sat, Oct 12 | Victoria | Open Space, 510 Fort St. | 10:00 PM |
(250) 383-8833
|
|
| Sat, Oct 26 | Vancouver | Vancouver New
Music Festival Scotia Dance Centre, 677 Davie St. |
9:30 PM |
Ticketmaster: 604-280-3311 Festival Pass: (604) 633-0861 |
|
Vancouver
duo STRUCTURAL DAMAGE goes on tour with three invited guest performer/composers,
Ron Samworth, Yasuhiro Otani, and Kazuhisa Uchihashi. Performances will
include composed and improvised music from solos up to everyone playing.
Otani and Uchihashi perform together worldwide as soloists, as a duo
and with various groups, and will perform some of their own material.
STRUCTURAL DAMAGE will also play some duos. Ron Samworth, who is perhaps
best known as the leader and guitar player in Talking Pictures, will
present some work and everyone will play together. The distinct guitar
styles of each player will make for a varied and fascinating program,
with keyboard player Andrew Czink and Otani running MAX on a powerbook
providing other sonic perspectives.
Some web sites with more information and sound clips:
STRUCTURAL
DAMAGE: Live at the Lux CD (es-00001): SD + guests at the Western
Front, Vancouver, 3/30/00.
Otani
Uchihashi
Ron Samworth's group Talking
Pictures
Listen here to MP3 excerpts of all of the artists' work:
These downloads work best with a high-speed connection. Not recommended for 56K modems
Structural Damage (Andrew Czink and John Oliver)
From STRUCTURAL DAMAGE: Live at the Lux CD (es-00001)
Structural Damage unreleased new mammoth piece Chasing Monkey's Tail for prepared piano and classical MIDI guitar controlling Gamelan and drum samples.
Otani / Uchihashi duo
from their album "Nothing - Next to nothing - only consists of a slight difference," published by PaleBlue records.
- copy that
- I'll give you a hint
- It's great that you listen
- Download my thoughts (complete)
- no evidence, no records, no artifacts
Ron Samworth
- Escalator
to Heavin by the Samworth/Wilson duo
About
STRUCTURAL DAMAGE
"As composers and performers, all four made strong contributions to a program of 10 works.... electronic music is with us. And it gets more interesting all the time in the hands of people like Oliver (a master of the guitar), Czink (a pianist of extraordinary energy and power), Schmidt (who seems incapable of error as he skitters around the...accordion, and Magnanensi (who can manage a table piled high with blinking and beeping gizmos as skillfully as a surgeon...) Georgia Straight, April 6-12, 2000 issue
MANDATE and ARTISTIC OBJECTIVES
The mandate of our duo is to perform music we create together and in
collaboration with guest artists – other composer/performers or
creators from other artistic disciplines – to bring to audiences
a unique creative musical and visual experience that reflects the musical
and artistic advances of our time, while maintaining the historical
link to the traditional musical instruments of the past. As a duo we
perform on our main instruments, piano and guitar, whose sounds we extend
by unusual performance techniques and electronic extensions and manipulations.
The inherent theatricality of the musician’s performance gestures
are further enhanced by the addition of new performance devices that
sense the performer’s motion, proximity, and other spacial and
sensory information. Our goal is to create a gutsy and visceral experience.
HISTORY
STRUCTURAL DAMAGE first performed together in Vancouver on January 23,
1999 at Rainer Bürck’s Without Fear CD-release concert
[earsay CD 99001] in Vancouver. Composer/performers Czink and Oliver
formulated the idea for the group STRUCTURAL DAMAGE during their rehearsals
in preparation for this concert. The trio developed a new work by email
and mail during the months before the concert, and performed after a
week of rehearsal. The resulting 25-minute piece, called Structural
Damage, inspired the name for the group.
On March 30, 2000 they performed & recorded a special event at Vancouver’s
Western Front with special guest composer/performers Giorgio Magnanensi,
(DJ/electronics), and Douglas Schmidt (accordion). The resulting CD,
STRUCTURAL DAMAGE: Live at the Lux (es-00001) was released this
year on the earsay label. In January 2001 the duo performed at
the Standford University Ballroom (Palo Alto) and the Center for New
Music and Audio Technologies, (Berkeley) in California.
resumés
Andrew Czink (Canada)
keyboards/electronics
is a composer/pianist based in Vancouver and a co-director of earsay productions. His primary training was of a classical bent, with excursions into jazz and popular forms early on. His compositional education was heavily rooted in the “contemporary avant–garde.” Along with exposure to and study of various Asian and African musics, this suite of influences continue their hold on his musical thought. His music has been performed and broadcast in Europe, New Zealand, Australia, the USA, and Canada where he has received numerous awards and commissions. He also teaches synthesis, MIDI and digital studio operations at the Centre for Digital Imaging & Sound (CDIS) and currently produces the radio program Musica Nova on Vancouver Co-op Radio CFRO 102.7 FM.
His past projects include the composition, performance, and production of the music-theatre piece Kalends in 1985, a decade of composing and performing live electronic music with composer/performer Paul Dolden (1981-91), commissions to composer and perform live electroacoustic music for various Vancouver-based choreographers (1982-1993), and visiting lecturer and composer at the Symposium of the International Musicological Society, 1988. Since 1993, Mr. Czink has returned to the piano, composing dense, intense, gestural music that appears on his solo CD Escape Velocity released on the earsay label in March 1998. Mr. Czink is an Associate Composer of the Canadian Music Centre.
.../Media Quotes
Andrew Czink’s CD Escape Velocity
“...chops to burn. His pianisms are unrelenting, intense... 56 minutes with ears saturated in music. Intense.”
– Marc Chénard “Piano Music On CD” in CODA MAGAZINE, Issue 286, July/August 1999“Czink's composition invites us and sometimes grabs us by the scruff of the ears.”
–Mark Parlett, eContact.
“Czink's music has super in-your-face density. It has a kind of vigorous ropiness about it. A little unnerving at times, it nevertheless makes you sit up and listen.”
–Douglas Hughes, The Georgia Straight.
“...the works exhibit a restless energy translated into organic formal development. This CD makes me want to hear Czink play these pieces live.”
–Andra McCartney, Musicworks.
DISCOGRAPHY
Structural Damage Live at the Lux earsay CD (es-00001)
composer and pianist
Devour and MU
Harangue II, earsay CD (es-98005)
Escape Velocity
extreme piano music, performed by the composer
shadeless, peopled
Harangue I, earsay CD (es-98001)
John Oliver (Canada)
composer/guitar & electronics
came to international attention during 1988/89 when he won six prizes for five compositions ranging from chamber to orchestral to electroacoustic music. Among these the “City of Varese Prize” at the 1988 Luigi Russolo Competition (Italy), and the Canada Council’s Grand Prize at the Canadian Broadcasting Corporation’s 8th National Competition for Young Composers for his live electroacoustic work El Reposo del Fuego. Based on these successes, the Canadian Opera Company commissioned Oliver’s first opera, Guacamayo’s Old Song and Dance which they produced in Toronto and at the Banff Centre in 1991, the first full-length opera of their Composer-in-Residence Program.
Oliver has also been Composer-in-Residence at the Banff Centre for the Arts, Vancouver Opera, Vancouver Chamber Music Festival, and Music in the Morning, receiving commissions from them, as well as the National Arts Centre Orchestra, CBC Radio, CBC Radio Orchestra, Vancouver New Music, La Société de musique contemporaine du Québec, Ensemble Pierrot, and the St. Lawrence Quartet.
Oliver’s music has been heard at major international festivals, including the International Society for Contemporary Music World Music Days, the Juilliard School of Music Pacific Rim Festival, New Music Across America, Budapest Spring Festival, Ars Musica Festival (Brussels), Rendezvous Festival (London, England), En torno a los sonidos electrónicos (Mexico City), and the Subtropics III Music Festival (Miami, Florida), as well as in concert and on radio, in performances by The Borromeo String Quartet, Camerata Transsylvanica, Canadian Opera Company, CBC Radio Orchestra, New Music Concerts, Nouvelle Ensemble Moderne, L’Orchestre Métropolitain de Montréal, National Arts Centre Orchestra, Pierrot Ensemble, Saint Lawrence String Quartet, Société de musique contemporaine du Québec, Vancouver New Music, Vancouver Opera, and others
As a performer, John Oliver co-founded two composer/performer groups: GEMS (Montréal), and MORE (Vancouver). He was active as guitarist, composer, conductor, and sound interpreter for GEMS from 1983-87, and MIDI guitarist with MORE from 1992-94. He has also appeared in special collaborations with composer/performers Sergio Barroso, François Houle, and Paul Dolden, and most recently with German composer/performer Rainer Bürck. As a soloist, Oliver has appeared at the Glenn Gould Conference in Toronto (1992) and at the BodyElectric/Guitarévolution festival in Toronto, Victoria & Vancouver in the fall of 1997 performing with Zeta™ MIDI guitar, computer-processing, and synthesizers. Icicle Blue Avalanche, a CD of solo and tape alone works, was released on the earsay label in May 1998.
.../Media Quotes
John Oliver’s CD Icicle Blue Avalanche
“...blasts from space-age brass instruments...repeatedly howl and bellow stately, powerfully ominous sustained chords...most engaging, creating an image of the guitar coming to life via some sorcerer's apprentice and doing mischief. A most effective and evocative piece [Copper Flying].”
– Robert Cummings, Computer Music Journal, summer 1999
“Earsay hits a new high with John Oliver's Icicle Blue Avalanche, one of the most viscerally dramatic discs I've heard in quite a while... huge slabs of extremely solid music.”
– George Zahora, Splendidezine.com
“Repeated listening...reveals some limpid melodic lines floating above unusual harmonic progressions, and occasional touches of humour.” – Douglas Hughes, The Georgia Straight.
“...shimmering bells of guitar, softly growling guitar.” – Andra McCartney, Musicworks.
DISCOGRAPHY
Structural Damage Live at the Lux earsay CD (es-00001)
composer and guitarist
Unseen Rain
Judith Forst and the CBC Vancouver Orchestra are conducted by Mario Bernardi;
Diary of Anne Frank, CBC Records (SMCD 5191)
scintilla
Harangue II, earsay CD (es-98005)
Icicle-Blue Avalanche
electroacoustic music for MIDI guitar, computer, and synthesizers, performed by the composer
Icicle Blue Avalanche, earsay CD (es-98004)
“one of the most viscerally dramatic discs I've heard in quite a while... huge slabs of extremely solid music.”
George Zahora, Splendidezine.com
Copper Flying
Harangue I, earsay CD (es-98001)
Before the Freeze
Before The Freeze, McGill Records CD (750038-2).
Marimba Dismembered
Électro clips, empreintes DIGITALes CD (IMED-9004-CD)
El Reposo del Fuego
New Music for Digital Keyboard (Sergio Barroso)
La Société nouvelle d'enregistrement CD (SNE-556-CD)
Ron Samworth (Canada)
Guitarist/Composer
Ron Samworth is a high profile presence on the Vancouver and Canadian improvised/contemporary music scene. He has appeared at all the major Jazz Festivals across Canada, the Festival International de Musique Actuelle de Victoriaville, at New York's Knitting Factory, and the New York Improvisation Festival, New Music America, Vienna's"Let's Cool One" Chamber Jazz Festival and other leading venues in Europe. He has performed with many of the leading voices in contemporary music such as Barry Guy, Wayne Horvitz/Butch Morris/Bobby Previte, Han Bennink, Barre Phillips, Marilyn Crispell, George Lewis, Vinny Golia, Hans Koch/Martin Schutz/Fredy Studer, Claude Ranger and Jay Clayton. His multi-disciplinary work includes composition, performance and sound design for theatre, spoken word, film, and dance. He is a longtime collaborator with Ruby Slippers and EDAM Dance. He can be heard on CD with Lunar Adventures and on two NOW compilations for Nine Winds, with 1990 CBC /Alcan Jazz Competition winners Creatures Of Habit on Justin Time, the NOW Orchestra on Maya Recordings, Spool, and John Zorn's Tzadik Composers, René Lussier/NOW Orchestra on les Disques Victo and with Talking Pictures on RedToucan and Songlines. In Vancouver, he co-leads the NOW Orchestra, and his own groups Talking Pictures and the FortWorth Travelogue and is a sideman in Francois Houle's electro-acoustic quartet and the Hard Rubber Orchestra.
Notable projects include arranging and performing entire programmes of Bertolt Brecht/Kurt Weill in concert and as musical director for the Ruby Slippers/Public Dreams production of the Threepenny Opera and Ruby Slippers Ruby Cabaret and RubyCab 2000. He has composed music for Talking Pictures, Standing Wave, the Hard Rubber Orchestra, the NOW Orchestra and EDAM Dance Company. Samworth is also a longtime member and current artistic director of the New Orchestra Workshop (NOW), and a co-curator of a long-running weekly concert series at Vancouver's grunt Gallery from 1987 to 1994.
• Nominated for Jessie Awards (Vancouver theatre) for musical direction/sound design for The Threepenny Opera, Ruby Cabaret and The Wines of Tuscany.
• Dora Award nomination for Wines of Tuscany sound design.
• Nine Winds, Red Toucan, Victo, Songlines, Spool, and Maya recording artist.
• 1990 Winner in Alcan National Jazz Competition with Creatures of Habit.
• National tours with Lunar Adventures (1989,1990), Creatures of Habit(1991), and Talking Pictures (1996, 1999), Echo Case (1999), NOW Orchestra (2000)
• Regularly featured at Vancouver's du Maurier Ltd. International Jazz Festival.
• Numerous features on CBC national radio with various groups.
• Performed at The Knitting Factory (New York), Bimhuis, Ijsbreker (Amsterdam), Instants Chavires (Paris), National Arts Centre (Canada)
• Has performed with international artists Wayne Horvitz, Butch Morris, Bobby Previte,George Lewis,Vinny Golia, Han Bennink, Barre Phillips, Barry Guy and Marilyn Crispell, as well as acclaimed Canadian artists Claude Ranger, René Lussier, George McFettridge, Paul Plimley, François Houle, Kate Hammett-Vaughan, Hugh Fraser and electro-acoustic composer Paul Dolden.
DISCOGRAPHY
with Talking Pictures
CD - Humming (Songlines) 2000
with Francois Houle
CD- Au Coeur de Litege (Spool ) 2000
with NOW Orchestra and George Lewis, Vinnie Golia and Paul Cram CD- WOWOW (Spool )
with the Hard Rubber Orchestra
CD- Cruel Yet Fair (Les Disques Victo) 1998
with RenÈ Lussier and the NOW Orchestra
CD - Le Tour du Bloc (Les Disques Victo) 1995
with Talking Pictures
CD - The Mirror with a Memory (Red Toucan) 1996
CD - Ciao Bella (Red Toucan) 1995
with NOW Orchestra and Barry Guy
CD - Study/Witchgong Game II/10 (Maya) 1994
with Creatures of Habit
CD - Live in Montreal (Justin Time) 1991
CD - MarÈe Jazz, Un hommage a Fraser MacPherson (CBC)
1994
with Lunar Adventures:
CD - Lunar Adventures Alive in Seattle (Nine Winds)
1990
Limited Edition Cassette- Full Moon 1987
CD - N.O.W. You Hear It (Nine Winds) 1992
CD - The Future is Now (Nine Winds) 1990
with Turnaround
CD - The Future is Now (Nine Winds) 1990
ENSEMBLES
1999-Present Francois Houle Electro-Acoustic Quartet
1992-Present N.O.W. Orchestra
Talking Pictures
Hard Rubber Orchestra
EDAM Improv Ensemble
1994-95 Group Six
1994-96 Elizabeth Fischer Group
1992-94 Paul Dolden Ensemble
1990-96 FortWorth Travelogue
1987-95 Claude Ranger various ensembles
1989-94 Creatures of Habit
1988-89 N.O.W. Big Band
Turnaround
1987 Vancouver Ensemble of Jazz Improvisation
(V.E.J.I.)
1987-1999 Kate Hammett-Vaughan Group
1985-91 Lunar Adventures
../Media Quotes
"Ron Samworth (has) risen above (his) blackbox hardware to display (an) individual voice. Samworth's slinky and skronky." - Kevin Whitehead, Coda Magazine
"Samworth's electric guitar has an unusually versatile voice. Sometimes it shouts with bluesy passion; elsewhere it can take on a hyper-articulate sheen of intellectual vigour – (his guitar) seems to address all of the things that can't be said in more conventional terms." - Alex Varty, Georgia Straight
"Samworth's heavily processed electric guitar betrays near-industrial tendencies. His clanging machine sounds and plucked-harmonic bells add an otherworldly layer to the mix. quirky yet beautiful explorations." - Alex Varty, Georgia Straight (Vancouver)
"What allows Samworth to shatter stereotypes right at their base structure is his understanding of the art of improvisation. Samworth, and any group he plays with, is a musician to watch." - Laurence Svirchev, 5/4 Magazine (Seattle)
"...eerie atmospheric play punctuated by Samworth's wily guitar sound manipulation and penchant for very solid rhythmic propulsion. He digs in at unconventionally conventional moments... Andrew Bartlett Cadence Magazine
"- proficient at a number of styles. He can rock with appropriate growl, scratch and feedback, or can sound like Jim Hall with Paul Desmond." - Gary Bannister, Earshot Jazz (Seattle)
Yasuhiro Otani (Japan)
powerbook
Please see attached pdf file for biography of Yasuhiro Otani
Career highlights:
Music on Compact Disk:
- Jazz guitarist, 1981-1991;
- “Invisible Objects”, 1991-93;
- “Duet with computer” 1996-97;
- appearances at ISEA 96 & 97;
- Now Music Festival (Sapporo);
- Festival Beyond Innocence (Kobe);
- Int’l Computer Music Conference ‘97;
- Chicago Modern Art Museum;
- Japan tour with Carl Stone, 1997;
- Solo tour, USA, 1998;
- Solo tour, San Francisco/Bay Area, 1999;
- Experimental TOKYO (IEL);
- DISCUS Network Volum 2; DISCONTACT 2 (CEC) ;
- Four Focuses (with M. Tetreault, M. Sachiko, O. Yoshihide), AMOBIC;
- CASSIBER, LIVE in Tokyo (with Shinoda Masami), offnote;
- Gaspillage: Maze and Lights, Kaeru Cafe ;
- Gaspillage: Claret/softworks, Kaeru Cafe ;
- Brain Wah (solo CD); Dial (with Tatsu AOKI), Asian Improv Records
UCHIHASHI KAZUHISA (Japan)
electric guitar, daxophone
was born in Osaka, Japan in 1959. Plays guitar since his twelfth years, mainly "Pop'n Roll" thoroughout his teens. Later he became involved in jazz.
Since 1983 he has devoted himself intensively to free improvised music. He experimented thouroughly with many different kinds of machines and sound-devices to expand the expression possibilities of the electric guitar.
He also composed music for films, theatre plays, dance. Among them, he has been working with Japanese Thertre group "ISHINHA" for more than 15 years. He made a name for himself in Japan in concerts with such improvising musicians as Hans Reichel, Tom Cora, Ned Rothenberg, Barre Phillips, Kan Tae Fwan, Peter Brotzman, Derek Bailey , Samm Bennett , Steve Beresford , Jon Rose , Zeena Parkins, Elliott Sharp ,Eugene Chadbourne,Henry Kaiser,Chris Cutler , Charles Hayward ,Han Bennink, Shelley Hirsch, Gene Coleman, GURU GURU a.m.o.
He has been conducting his rock-oriented powerful improvised band "Altered States" for 12 years and continues to create his own new guitar music in solo as well as in "Altered States".
Since 1995 he has been starting to direct "New Music Action Workshop" for young Improviser in KOBE every month, and now he is going to keep it in Tokyo and other area.
Since 1996 he has also been organizing the New Music festival "BEYOND INNOCENCE" in Kobe every year.
Since 1998 he started to play and make a music with daxophone(Hans Reichel's invention).
WORKS OVERSEAS
1990 • New York International Off Festival
1993 • 25th Workshop Free Music In Berlin (by FMP production)
• Tour In Germany With Hans Reichel
• Tallinn International Festival (Estonia)
• Vilnius Jazz Festival
with Altered States(Lithuania)
• "Le roi aux pieds nus" Dance performance(Paris)
1994 • Bourges Internaional Festival (France)
• Tokyo Gracious Beat (Indonasia)
1995 • TACTLOS FESTIVAL(Switzerland)
with Altered States and Ground Zero
• Tour in USA(New York,Chicago etc)
• FESTIVAL MUSIQUE ACTUELLE(Canada)
with Altered States and Ground Zero
• MUSIC ACTION (France) with Ground Zero
1996 • Tour in Hong Kong, Taiwan, Macao
with Samm Bennett, Otomo Yoshihide Sachiko
1997 • Angelica Festival (Italy)-Ground Zero
• Ring Ring Festival (Servia)
-Altered States,Ground Zero
• Wien-Ground Zero
• L.M.C.Festival (London)-Altered States,Ground Zero
• MUSIK PROTOKOLL in GRAZ(Austria)-with Helge Hinteregger,Roger
Turner
1998 KONGSBERG JAZZ FESTIVAL (Norway)
-with Ned Rothenberg,Samm Bennett
• Spitz(London) with Samm Bennett
• Rhiz(Austria) with Helge Hinteregger ,Matin Siewert,Stefan Aschbock
1999 TAKTLOS FESTIVAL 99 (Switzerland)
with Hans Reichel and Rene Russier
with Luigi Archetti and Bill Horist
2000 Theater works with ISHINHA(Australia)
• tour in Holland with Deshima Ensemble
• Solo concert in Kristiensand,Oslo(Norway)
• Workshop in Oslo(Norway)
• Spiegel contemporary music festival in Vienna
• Tour in Austria with Comfort of Madness
• Solo concert in Belgrade(Servia)
2001 • Rote Zone-with Helge Hinteregger,Martin Siewert,Samm Bennett,Martina
Winkel,Airan Berg(Vienna)
• Jazz It -Comfort of Maddness (Zaltsburg)
• Comfort of Maddness (Zagreb)
• Solo concerts in Sofia (Bulgaria)
• Altered States europe tour (Italy, Germany, Croatia, England, Holland, Slovenia,Austria)
• Walshow Summer Jazz Festival with Altered States (Poland)
• Theater works with ISHINHA (Germany , Italy,Ireland)
• Solo concerts in Poland,Slovenia,Croatia,Yugoslavia,London,
• Duo with Shelley Hirsch at Pina Bausch thertre festival(Wuppertal)
DISCOGRAPHY
1991 • "STOP COMPLAINING/SUNDOWN" (FMP CD36)
HANS REICHEL DUETS WITH FRED FRITH AND KAZUHISA UCHIHASHI
1992 • ALTERED STATES "ALTERED STATES" (ZENBEI RECORD ZEN-001)
1994 • "NEU KONSERVATIW" compilation Album (God Mountain GMCD-009)
• "ALTERED STATES feat Otomo Yoshihide" (TRIGRAM TR-P 903)
Live In Lithuania & Estonia.
• "GUITAR SOLO" Uchihashi Kazuhisa (ZENBEI RECORD ZEN-002)
• "STEAM /SOLO PERFORMANCE at Shinjuku PIT INN" VIDEO (TRIGRAM)
1995 • "mosaic"ALTERED STATES (GOD MOUNTAIN GMCD-015)
• monthly ALTERED STATES LIVE VIDEO Vol.1- Vol.12 (ZENBEI)
• "BABEL" ISHINHA (STEAM PRESS)
• "the miracle of levitation" compilation (GENTLE GIANT RECORDS)
1996 • "ALTERED STATES 4 " (ZENBEI RECORD ZEN-003)
• "CAFE 9.15 " ALTERED STATES with NED ROTHENBERG (DISK UNION PP-001)
1997 • "PHOSPHORESCENCE" GUITAR SOLO (ZENBEI RECORD ZEN-004)
• "ALTERED STATES 6 " (ZENBEI RECORD ZEN-005)
1998 • "KING PAWNS" Uchihashi Kazuhisa & Hans Reichel
(ZENBEI RECORD ZEN-006)
• "Kam-pas-nel-la" Haco/Zeena Parkins/Samm Bennett/Uchihashi Kazuhisa
(Innocent RECORD INN-101)
1999 • "Autism" Comfrt Of Maddness
• "Rohren " Comfort Of Maddness
• "plays standards " Altered States
2000 • "Cynical Athlete" Uchihashi Kazuhisa & Ichiraku Yoshimitsu
• "f/w " Chino Shuichi & Uchihashi Kazuhisa
• "Clearness " Kang Tae Hwan /Uchihashi Kazuhisa/Ichiraku
Yoshimitsu
• "Phantasmagoria " phantasmagoria
2001 • "CANTATA " phantasmagoria
• "Cold Blowaway Sizeup " Samm Bennett & Uchihashi Kazuhisa
• "Crazy Bubbles " Uchihashi Kazuhisa Guitar Solo
• "EQ " Mutant
• "States Of Union " compilation -produced by Elliott Sharp
• "Music Anecdote " Otani Yasuhiro & Uchihashi Kazuhisa
" Otani Yasuhiro & Uchihashi Kazuhisa
ENSEMBLES
ALTERED STATES: UCHIHASHI KAZUHISA guitar) NASUNO MITSURU(bass) YOSHIGAKI YASUHIRO(drums)
PHANTASMAGORIA: UCHIHASHI KAZUHISA(guitar) IWATA KOU(alto-sax) EZAKI MASAFUMI(trumpet) KOJIMA TAKASHI(sampler) INADA MAKOTO(bass) ICHIRAKU YOSHIMITSU(percussion,effects)
R.U.B: Ned Rothenberg(as,b-cl) Samm Bennett(percussion,sampler) Uchihashi Kazuhisa(guitar,effects)
SAIGEN: UCHIHASHI KAZUHISA(guitar,guitar synth) YAGI MICHIYO(KOTO 17GEN, 20GEN)
KAM-PAS-NEL-LA: UCHIHASHI KAZUHISA(guitar) HACO(vocal) SAMM BENNETT(percussion) ZEENA PARKINS(harp)
STEREODROME: SASAKI HIDEAKI VIDEOS UCHIHASHI KAZUHISA guitar,guitar-synth) HIROSE JUNJI sax,noise-machine)
EQ: UCHIHASHI KAZUHISA(guitar,guitar synth) FUNATO HIROSHI(bass) ERA MARI(marinba,percussion)
MUTANT: UCHIHASHI KAZUHISA(guitar) +3 saxophones without mouthpiece
COMFORT OF MADDNESS: HELGE HINTEREGGER(sampler,sax)UCHIHASHI KAZUHISA(guitar,guitar synth) & others
PULLEN: HELGE HINTEREGGER(sampler,sax)UCHIHASHI KAZUHISA (guitar,daxophone) SAMM BENNETT(electronics)
New CD!
Structural Damage: Live at the Lux
Release date: January 15, 2001
Listen to MP3s (download)!
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