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* denotes Canadian composer
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Prices subject to change without notice. |
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Instrumentation |
AvP# |
Composer |
Title |
Level |
Description |
Price |
||
|
any instruments or voices |
94 |
Kathryn |
Cernauskas* |
(born 1948) |
Migration |
Not rated |
This piece is a guided improvisation based on elements given in the score. It was written for a concert at the Vacouver Aquarium where the musicians led the audience “Pied Piper style” from room to room. |
$8.00 |
|
cello and piano |
63 |
Barbara |
Pentland* |
1912 - 2000 |
Adagio |
|
This piece was Barbara Pentland s last composition. At the beginning of the score she wrote: Despair and hope as the world turns. |
$11.00 |
|
cello and piano |
69 |
Sylvia |
Rickard* |
born 1937 |
Île de Ré |
|
This piece is a result of a visit to France in 1974, where the composer fell in love with the lighthouse of Île de Ré and, indeed, with the entire fishing village, whose large fields were covered in coquelicots--or red poppies. Two movements: Nuit and Jour. |
$13.00 |
|
cello and piano |
76 |
Barbara |
Pentland* |
1912 - 2000 |
Mutations |
Difficult |
Commissioned in 1972 by the Canadian Broadcasting Corporation for Eugene Wilson and Robert Rogers. Aleatory Zones give the performers specified freedoms. Some extended techniques. |
$20.00 |
|
choir SATB |
75 |
J.-P. |
Rameau |
1683 - 1764 |
Fanfarinette |
Difficult |
Arranged by Michael Murray. Rameau was an enterprising operatic composer, famed for exceedingly dramatic stage effects. This piece, originally from Pièces de Clavecin, exhibits typical French charm. Fanfarinette is familiar as the theme for the CBC radio programme Disc Drive. Volume discount available, please enquire. |
$6.00 |
|
choir SATB |
74 |
Michael |
Murray* |
born 1960 |
Kyrie Eleison |
Moderately difficult |
A rhythmically exciting work for choir that features the alto section. This is effective if the altos are divided into two equal groups and placed apart from each other and from the rest of the choir. Volume discount available, please enquire. |
$6.00 |
|
choir SATB |
89 |
Leslie |
Uyeda* |
born 1953 |
This is Our Fugue |
Moderately easy |
This is the first in a series of choral pieces by Leslie Uyeda designed to introduce choirs to specific compositional styles found in choral music. It is one minute long and is sung in English. |
$2.00 |
|
choir SSA, ob (or fl,cl,vln) and harp (or piano) |
71 |
Violet |
Archer* |
1913 - 2000 |
The Mater Admirabilis Chapel |
|
Poem by Althea Bass. Oboe part can be played by flute, clarinet or violin. Woodwind parts included with each order. Volume discount available, please enquire. |
$6.00 |
|
choir SSA, ob (or fl,cl,vln) and harp (or piano) |
72 |
Violet |
Archer* |
1913 - 2000 |
Christmas |
|
Oboe part can be played by flute, clarinet or violin. Woodwind parts included with each order. Volume discount available, please enquire. |
$7.00 |
|
clarinet |
103 |
Daniel |
Pilon* |
born 1957 |
Piscoleries |
Intermediate level |
A short, peppy and altogether delightful solo. |
$9.00 |
|
clarinet and cello |
70 |
Sylvia |
Rickard* |
born 1937 |
Songs of the Loon |
|
Five movements: 1. Wail, 2. Tremolo, 3. Yodel, 4. Hoot and Mew, 5. Combined songs. Since male and female loons share nesting and other duties, two instruments, clarinet and cello, were chosen. Echo and mimicry are used to reflect the birds songs. Two scores provided. |
$15.00 |
|
flute and clarinet |
121 |
Leslie |
Uyeda* |
born 1953 |
...like near misses |
Moderately difficult |
Written for a concert in the restored copper mine (now the BC Museum of Mining) in Britannia Beach on the BC coast, this duo is a conversation for two spirits ghosts? the voices of former miners. They are happy and teasing in some of their recollections, but quiet and wistful in others. |
$13.00 |
|
flute and harp |
62 |
Barbara |
Pentland* |
1912 - 2000 |
Trance |
Difficult |
The flutist enters and leaves while playing, as if in a trance. Aleatory Zones give the performers specified freedoms. Also available in the composer s own arrangement for flute and piano (AvP# 64). |
$15.00 |
|
flute and harp (alto or C flute) |
112 |
Sylvia |
Rickard* |
born 1937 |
Rarescale |
Moderately difficult |
The piece is loosely based on an ascending middle Eastern scale and a descending minor mode. The two together make a chromatic scale, so that, although rare in linear looks and sound, the hidden chromatic scale is not at all rare. Originally for flute and piano (AvP #111). |
$15.00 |
|
flute and piano |
64 |
Barbara |
Pentland* |
1912 - 2000 |
Trance |
Difficult |
The flutist enters and leaves while playing, as if in a trance. Aleatory Zones give the performers specified freedoms. This is the composer s own arrangement of the original for flute and harp (available as AvP# 62). |
$15.00 |
|
flute and piano |
95 |
Christopher |
Ludwig* |
born 1972 |
Yellow |
Moderately easy |
Each instrument exchanges ideas freely in the manner of a conversation. The reserved mood of the work is interrupted by dance-like sections. |
$10.00 |
|
flute and piano |
96 |
Christopher |
Ludwig* |
born 1972 |
Changing Sentiment |
Intermediate level |
An energized piece that pushes forward with little rest for the flutist. The title reflects the multi-sectional aspect of the music. |
$13.00 |
|
flute and piano |
102 |
Jocelyn |
Morlock* |
born 1969 |
I Conversed With You in a Dream |
Moderately difficult |
The four short pieces which comprise I conversed with you in a dream were inspired by powerful and evocative fragments of poetry by Sappho. The various sound-worlds of each of these short pieces were conceived of as responses to Sappho s pungent imagery. |
$19.00 |
|
flute and piano |
124 |
Jean |
Coulthard* |
1908 - 2000 |
Where the Trade Winds Blow |
Moderately difficult |
A suite of pieces (I Shining Morning, II Night Song, III East Wind) celebrating the sun and sea of Hawai i, where the idea for the work germinated in 1981 and 1982. Attractive to players and listeners alike, with much rhythmic interest throughout. |
$19.00 |
|
flute and piano (alto or C flute) |
111 |
Sylvia |
Rickard* |
born 1937 |
Rarescale |
Moderately difficult |
The piece is loosely based on an ascending middle Eastern scale and a descending minor mode. The two together make a chromatic scale, so that, although rare in linear looks and sound, the hidden chromatic scale is not at all rare. Also available for flute and harp (AvP #112). |
$15.00 |
|
flute or violin and bassoon or cello |
92 |
Marjan |
Mozetich* |
born 1948 |
Duet in Blue |
Intermediate level |
Duet in Blue was commissioned for New Music for Young Musicians, a millennium project administered by the Canadian Music Centre. It has a bluesy feel because the third and seventh notes of the scale are sometimes lowered. |
$13.00 |
|
flute solo |
58 |
Barbara |
Pentland* |
1912 - 2000 |
Sonatina for Solo Flute |
Moderately difficult |
The Sonatina is in a neo-classical style. The first movement is lyrical, the second and third lively. A recording of this piece is available on the CD Canadian music for solo flute performed by Kathryn Cernauskas. |
$10.00 |
|
flute solo |
88 |
John |
Weinzweig* |
1913 - 2006 |
Riffs |
Moderately difficult |
John Weinzweig is fondly known as the Dean of Canadian Composers. Riffs is composed in twelve short segments reflecting characteristics of jazz blues. Six are included in Book 3 of The Magical Flute (AvP# 85). |
$14.00 |
|
flute solo |
104 |
Daniel |
Pilon* |
born 1957 |
38 Chants |
|
This set of short (sometimes very short!) pieces range in difficulty from moderately easy to difficult. Each charmingly quirky piece presents a musical idea, often involving surprising shifts of meter or rhythm. |
$15.00 |
|
flute solo |
128 |
Leslie |
Uyeda* |
born 1953 |
Classical Escapade |
Moderately easy |
Composer's note: The opening motive that popped into my head was Classical, and lively. I was reminded of a piece for band that I had played while in high school. That music featured the clarinet section, and all those notes meant one thing to me and my clarinet mates: fun! I hope for the same result from Classical Escapade: play it as fast as you can and have fun. |
$8.00 |
|
flute solo |
139 |
Robert |
Fleming* |
1921 - 1976 |
Choreographic Sketches |
Intermediate level |
A delightful solo. Each movement expresses a different ballet step: Ballotés, Posés, Cabriole and Pas de Chat. |
$12.00 |
|
flute solo (alto) |
101 |
Jocelyn |
Morlock* |
born 1969 |
Velour |
Difficult |
A set of five variations, several using extended playing techniques, followed at the end by a very simple theme. The piece is called Velour because the sound of the alto flute and the feel of velour are, to the composer, similar (and pleasing.) |
$11.00 |
|
flute solo and with piano |
83 |
|
collection* |
|
The Magical Flute, Book 1 |
Easy |
Music by Canadian composers compiled by Kathryn Cernauskas. Includes study guides, etudes and a CD. Several pieces are listed in the RCM, Victoria Conservatory, Conservatory Canada and Contemporary Showcase syllabi. Contents: Rodney Sharman Slow Waltz; Chris Wind Solo for Flute (1), Piece for Flute and Piano (2); Nancy Telfer Star-Gazing; Robert Fleming Almost Waltz; Michael Conway Baker Collage; Violet Archer Catch Me; Kathryn Cernauskas Head Start, Robo-Tic, Pegleg Dances. |
$36.00 |
|
flute solo and with piano |
84 |
|
collection* |
|
The Magical Flute, Book 2 |
Intermediate level |
Music by Canadian composers compiled by Kathryn Cernauskas. Includes study guides, etudes and a CD. Several pieces are listed in the RCM, Victoria Conservatory, Conservatory Canada and Contemporary Showcase syllabi. Includes pieces for two flutes and flute with CD soundtracks. Contents: Mary Gardiner Soulmates, Fast Forward; Chris Wind Piece for Flute and Piano (1); S.C. Eckhardt-Gramatté Berceuse; Daniel Pilon 38 Chants (selection); Jack Behrens Musefully listening, nursing a thought; Paul Steenhuisen cette obscure clarté qui tombe des étoiles; Srul Irving Glick Petite Suite pour Flûte; Kathryn Cernauskas Lullaby for Birds, Sliding, Pulsars. |
$36.00 |
|
flute solo and with piano |
85 |
|
collection* |
|
The Magical Flute, Book 3 |
Moderately difficult |
Music by Canadian composers compiled by Kathryn Cernauskas. Includes study guides, etudes and a CD. Several pieces are listed in the RCM, Victoria Conservatory, Conservatory Canada and Contemporary Showcase syllabi. Includes pieces for two flutes and flute with CD soundtracks. Contents: John Weinzweig Riffs (selection); Louis Applebaum Essay; Imant Raminsh Butterflies; Harry Somers Etching - The Vollard Suite; Michael Bushnell While Everyone Else Was Asleep...; Patrick Cardy Sparkle; Kathryn Cernauskas Pan-pipes, Grasshoppers, Cadenza. |
$36.00 |
|
flute solo and with piano |
86 |
|
collection* |
|
The Magical Flute, Book 4 |
Difficult |
Coming soon. |
in prep |
|
flute trio (2 C flutes and alto or bass flute) |
82 |
Antonio |
Vivaldi |
1678 - 1741 |
Concerto in G minor |
Intermediate level |
Arranged by Kathryn Cernauskas. Vivaldi wrote many concertos - this one is transcribed from the Concerto in G minor for flute, oboe and bassoon. |
$19.00 |
|
flute, violin, viola, cello |
98 |
W. A. |
Mozart |
1756 - 1791 |
Quartet in C (after K.454) |
Moderately difficult |
An arrangement by Kathryn Cernauskas of Mozart s wonderful Sonata K.454 for violin and piano. A welcome addition to the repertoire for flute and strings. |
$30.00 |
|
harp |
61 |
Barbara |
Pentland* |
1912 - 2000 |
Commenta |
Difficult |
Two recordings are available: Erica Goodman plays Canadian Harp Music (BIS-CD-649) and Disasters of the sun: music of Barbara Pentland. Listed in the RCM harp syllabus. |
$13.00 |
|
harp |
105 |
Elizabeth |
Volpé Bligh* |
born 1953 |
Solos for Lever or Pedal Harp |
Intermediate level |
A compilation of original pieces and arrangements for pedal or lever harp, ranging from intermediate to advanced levels, with some comments on how to play them, programme notes, and general technical tips. Listed in the RCM harp syllabus. |
$19.00 |
|
harp |
106 |
Margaret |
Ashburner* |
born 1985 |
Small Rooms |
Moderately difficult |
The title suggests self-contained and small pieces with strongly defined character. The first movement features repeated glissandi. The second movement was inspired by the paintings of Matisse. The third movement recalls a music box the composer had as a child. Listed in the RCM harp syllabus. |
$14.00 |
|
harp |
109 |
Jason |
White* |
born 1980 |
Harpology, Volume 1 |
Moderately easy |
A collection of harp solos including performance notes. Contents: Midnight, Freely, Sneaking, Fall Leaves After Leaves Fall, Weaving, Blues Etude, Big City Ostinato, Downtown Boogie. Listed in the RCM harp syllabus. |
$15.00 |
|
harp |
110 |
Jason |
White* |
born 1980 |
Harpology, Volume 2 |
Intermediate level |
A collection of harp solos including performance notes. Contents: Prelude, Evolution, Blues Mélancholique, Star Dance, Orpheus's Lyre. Listed in the RCM harp syllabus. |
$15.00 |
|
piano |
48 |
Jean |
Coulthard* |
1908 - 2000 |
Image Astrale |
Moderately difficult |
Coulthard s personal sense of harmony and her feeling for lyrical line are everywhere in this work. Image Astrale is full of movement, passing quickly through chromatic passages to make a picture of the stars, and finally the whole universe. |
$10.00 |
|
piano |
49 |
Jean |
Coulthard* |
1908 - 2000 |
Image Terrestre |
Moderately difficult |
There is intensity and darkness in Image Terrestre, a fast moving piece for a frenetic century ours. There are big dynamic contrasts, and much use of distant registers in the piano. Repeated chords and arpeggiated sections recur throughout, and help to unify the work. |
$15.00 |
|
piano |
50 |
Jean |
Coulthard* |
1908 - 2000 |
Sonata No. 2 |
Moderately difficult |
New edition in 2009. This mature work is set in a fairly strict sonata form, yet entirely in Coulthard s personal idiom with dramatic, chromatically dense chords, emotionally suggestive clusters, and shifting tonalities. The sonata s lyrical motives are striking and attractive. |
$17.00 |
|
piano |
51 |
Barbara |
Pentland* |
1912 - 2000 |
Echoes |
Easy |
Two pieces for young pianists with shifting five-finger positions. |
$8.00 |
|
piano |
52 |
Barbara |
Pentland* |
1912 - 2000 |
Hands Across the C |
Moderately easy |
Three contrasting pieces (Sparks, Mist and Seashore) which range over all octaves. The melody is generally passed from one hand to the other. Each piece has a corresponding study where technical aspects have a preliminary work-out. |
$12.00 |
|
piano |
53 |
Barbara |
Pentland* |
1912 - 2000 |
Interlude |
Intermediate level |
|
$8.00 |
|
piano |
54 |
Barbara |
Pentland* |
1912 - 2000 |
Maze/Labyrinthe and Casse-Tête/Puzzle |
Moderately easy |
Two pieces with shifting five-finger positions. |
$8.00 |
|
piano |
59 |
Barbara |
Pentland* |
1912 - 2000 |
Shadows/Ombres |
Moderately difficult |
|
$9.00 |
|
piano |
60 |
Barbara |
Pentland* |
1912 - 2000 |
Space Studies |
Moderately easy |
Studies in rhythm and compass for young pianists. |
$11.00 |
|
piano |
55 |
Barbara |
Pentland* |
1912 - 2000 |
Music of Now, Book 1 |
Very easy |
A contemporary series for piano students. Book I is excellent for beginners of all ages. |
$15.00 |
|
piano |
56 |
Barbara |
Pentland* |
1912 - 2000 |
Music of Now, Book 2 |
Easy |
A contemporary series for piano students. In Book 2 more black keys are used. Dotted notes and tone-clusters are introduced as well as more complex rhythms and meters. |
$15.00 |
|
piano |
57 |
Barbara |
Pentland* |
1912 - 2000 |
Music of Now, Book 3 |
Moderately easy |
A contemporary series for piano students. Book 3 introduces some simple part playing, a few double notes and triads and some study in the use of the damper pedal. There is some slight shifting of the hand positions. |
$15.00 |
|
piano |
127 |
Jean |
Coulthard* |
1908 - 2000 |
Preludes |
Moderately difficult |
Coulthard often commented on a central duality in her work which she identified as a contrast between sparkling lyricism and brooding introspection. The preludes reflect both and add another duality: the tension between pianistic brilliance and poetic expressiveness. They demand that their interpreters balance technical prowess with emotional insight. |
$22.00 |
|
piano |
140 |
Jean |
Coulthard* |
1908 - 2000 |
Requiem |
|
Coming soon. |
|
|
piano 4 hands |
113 |
Jack |
Behrens* |
born 1935 |
Carol Suite |
Intermediate level |
A highly original treatment of traditional Christmas Carols. In each of the four movements familiar carols are juxtaposed and altered in surprising ways. Not for beginners but great fun for high school students or adult learners. |
$15.00 |
|
recorder (alto) |
37 |
J. S. |
Bach |
1685 - 1750 |
Sonata (Alto) |
Moderately difficult |
Bach's Sonata in A minor for unaccompanied flute solo BWV 1013, also known as Solo pour la flûte traversière and Partita in A minor for Flute alone is here transposed into C minor to make it accessible to the treble (alto) recorder. |
$7.00 |
|
recorder (alto) |
39 |
David |
Donaldson* |
born 1938 |
Rufous-sided Towhee |
Intermediate level |
There is no connection with the bird of the title - except that one happened to be singing outside the window while the composer was composing! Three movements. |
$7.00 |
|
recorder (alto) and basso continuo |
65 |
J. B. |
Loeillet de Gant |
1688 - c. 1720 |
Sonatas Op. 2, Volume I |
Intermediate level |
Arranged by Ron Napier. Continuo realization by Udo Kasemets. Volume I includes No. 1 in F Major, No. 2 in G minor and No. 3 in D minor. |
$28.00 |
|
recorder (alto) and basso continuo |
66 |
J. B. |
Loeillet de Gant |
1688 - c. 1720 |
Sonatas Op. 2, Volume II |
Intermediate level |
Arranged by Ron Napier. Continuo realization by Udo Kasemets. Volume II includes No. 4 in B flat Major, No. 5 in C minor and No. 6 in G Major. |
$28.00 |
|
recorder (alto) and basso continuo |
67 |
J. B. |
Loeillet de Gant |
1688 - c. 1720 |
Sonatas Op. 2, Volume III |
Intermediate level |
Arranged by Ron Napier. Continuo realization by Udo Kasemets. Volume III includes No. 7 in E minor, No. 8 in F Major and No. 9 in G minor. |
$28.00 |
|
recorder (alto) and basso continuo |
68 |
J. B. |
Loeillet de Gant |
1688 - c. 1720 |
Sonatas Op. 2, Volume IV |
Intermediate level |
Arranged by Ron Napier. Continuo realization by Udo Kasemets. Volume IV includes No. 10 in D Major, No. 11 in G minor and No. 12 in A minor. |
$28.00 |
|
recorder (alto) and piano |
14 |
Jeannie |
Corsi * |
|
Images of a Northland Stream |
Intermediate level |
Jeannie Corsi is a Vancouver pianist and a prolific composer. Images of a Northland Stream is an evocative piece for treble recorder and piano. |
$8.00 |
|
recorder (soprano) |
38 |
J. S. |
Bach |
1685 - 1750 |
Sonata (Soprano) |
Moderately difficult |
Bach's Sonata in A minor for unaccompanied flute solo BWV 1013, also known as Solo pour la flûte traversière and Partita in A minor for Flute alone is here transposed into G minor to make it accessible to the soprano recorder. |
$7.00 |
|
recorder duo AB |
122 |
Arcangelo |
Corelli |
1653 - 1713 |
Duo Sonatas, Volume 1 |
Intermediate level |
Numbers 8, 9 and 10 of the twelve Opus 5 sonatas originally written for violin and cello. These arrangements by R.D. Tennent respect Corelli s conception of the sonatas as duets for two instruments of the same family rather than as solo sonatas with keyboard accompaniment. |
$19.00 |
|
recorder duo AB |
123 |
Arcangelo |
Corelli |
1653 - 1713 |
Duo Sonatas, Volume 2 |
Difficult |
Numbers 7 and 11 and 5 of the twelve Opus 5 sonatas originally written for violin and cello. These arrangements by R.D. Tennent respect Corelli s conception of the sonatas as duets for two instruments of the same family rather than as solo sonatas with keyboard accompaniment. |
$19.00 |
|
recorder duo or trio AT(B ad lib.) & keyboard |
81 |
J.S. |
Bach |
1685 - 1750 |
We Hasten With Eager But Faltering Footsteps |
Moderately difficult |
Originally composed as a duet for alto and soprano voices, with organ and violone accompaniment. In this arrangement by R.D. Tennent the key has been transposed from B flat to F. The violone part, adapted to the bass recorder, could also be played on guitar, cello or bass viol. |
$12.00 |
|
recorder duo SA |
16 |
Gioacchino |
Rossini |
1792 - 1868 |
Five Duos |
Intermediate level |
Arranged by Ron Napier from Five Duos for Two Horns. An interesting addition to the recorder duet repertoire. |
$9.00 |
|
recorder duo SA or TB |
17 |
W. A. |
Mozart |
1756 - 1791 |
Sonata |
Intermediate level |
Arranged by Ron Napier. An extensive duet in three movements, originally Sonata for bassoon and cello, K.292. |
$16.00 |
|
recorder duo ST |
28 |
David |
Thompson |
born 1944 |
Shawton Suite |
Intermediate level |
A short suite intended for two players of similar ability. Three movements: Minuet, Gigue and Hornpipe. A useful addition to the two-part repertoire. |
$10.00 |
|
recorder quartet AATB or TTTB |
6 |
Michael |
Murray * |
born 1960 |
Kyrie |
Intermediate level |
Michael Murray is a well-known Vancouver musician. Kyrie is an arrangement of his short and simple choral piece Kyrie Eleison (AvP# 74). It is provided in two versions, AATB or TTTB. |
$13.00 |
|
recorder quartet ATBB (or AT and keyboard) |
45 |
J. S. |
Bach |
1685 - 1750 |
Aria from Cantata 164 |
Moderately difficult |
This arrangement by R. D.Tennent of the aria for alto voice, 2 flutes and continuo from Cantata 164 works well for four recorders or for two recorders and keyboard. Both versions are provided. |
$13.00 |
|
recorder quartet ATTB |
31 |
Nicolas |
Gombert |
c. 1495 - c. 1560 |
Deux Chansons |
Moderately easy |
Arranged by William Weldon. Nicolas Gombert was apparently a pupil of Josquin. Born in Flanders, he traveled widely in Spain, Italy, Austria and Germany and was held in high regard by his contemporaries. |
$15.00 |
|
recorder quartet SATB |
1 |
J. S. |
Bach |
1685 - 1750 |
Four Chorales |
Easy |
Arranged by Ron Napier. Beautiful music which is easy enough for the inexperienced consort yet meaty enough to be a satisfying challenge. |
$9.00 |
|
recorder quartet SATB |
2 |
Keith |
Bissell* |
1912 - 1992 |
Canzona |
Moderately easy |
Keith Bissell was known for his choral and instrumental works. The Canzona is short and fairly easy to play. |
$9.00 |
|
recorder quartet SATB |
3 |
Keith |
Bissell* |
1912 - 1992 |
Three Pieces for Four Recorders |
Moderately easy |
Like the Canzona (AvP# 2), these pieces are attractive yet short and fairly easy to play. |
$10.00 |
|
recorder quartet SATB |
7 |
Barbara |
Pentland* |
1912 - 2000 |
Intrada and Canzona |
Intermediate level |
Barbara Pentland was especially noted for her piano and chamber works. Not technically difficult but decidedly twentieth century. |
$15.00 |
|
recorder quartet SATB |
10 |
Arthur |
Ward* |
born 1912 |
Patricia s Grounde |
Moderately easy |
Arthur Ward is an organist, choir director and composer from Calgary, Alberta. Patricia's Grounde is a modern working of the baroque ground bass idea. Short and fairly easy. |
$7.00 |
|
recorder quartet SATB |
11 |
J. S. |
Bach |
1685 - 1750 |
Canzona in D minor |
Intermediate level |
Arranged by Paul Palmer. This meaty piece should be within the grasp of a moderately experienced group. Originally for organ. |
$9.00 |
|
recorder quartet SATB |
13 |
Paul |
Peuerl |
1570 - after 1625 |
Four Dances |
Easy |
Arranged by Paul Palmer. Paul Peuerl (fl. 1611) was a German composer who may have been the creator of the variation suite form of which these four dances are an example. |
$15.00 |
|
recorder quartet SATB |
19 |
Jacob |
Vaet |
c. 1529 - 1567 |
O Quam Gloriosum |
Moderately easy |
Arranged by Eiji Miki. Flemish composer Jacob Vaet was Kapellmeister to the Emperor Maximilian. This four-part motet is a good introduction to his works. |
$7.00 |
|
recorder quartet SATB |
20 |
Giovanni |
Palestrina |
c. 1525 - 1594 |
Super Flumina Babylonis |
Moderately easy |
Arranged by Eiji Miki. Palestrina has long been the model by which all other polyphonic composers are judged. This is one of his quiet, penitential motets. |
$7.00 |
|
recorder quartet SATB |
21 |
Adrian |
Willaert |
c. 1490 - 1562 |
O Magnum Mysterium |
Moderately easy |
Arranged by Eiji Miki. Willaert was an influential composer. Born in Flanders, he worked for most of his life in Italy, as maestro di cappella at St. Mark's, Venice. This is a very beautiful Christmas motet. |
$7.00 |
|
recorder quartet SATB |
22 |
Orlandus |
Lassus |
1532 - 1594 |
Scio Enim |
Moderately easy |
Arranged by Eiji Miki. Another major figure from the sixteenth-century. Scio Enim is a funeral motet. The text in English is I know that my Redeemer liveth. Solemn but beautiful. |
$7.00 |
|
recorder quartet SATB |
23 |
Christine |
Le Poidevin |
|
Bosley Blues |
Intermediate level |
Christine Le Poidevin is a resident of the Channel Isles, where she is noted for her graphic work as well as for her compositions. This is a lively quartet. |
$9.00 |
|
recorder quartet SATB |
29 |
William |
Boyce |
1711 - 1779 |
Quartet in E minor |
Intermediate level |
Arranged by David Thompson. William Boyce is credited with writing the earliest surviving symphonies. This substantial piece of music is arranged from the Concerto Grosso in E Minor. Four movements: Largo, Fugue (Allegro), Siciliano and Allegro. |
$18.00 |
|
recorder quartet SATB |
30 |
François |
Roussel |
c. 1510 - c. 1577 |
Two Madrigals |
Moderately easy |
Arranged by William Weldon. François Roussel was a sixteenth century French composer who spent much of his working life as choirmaster in prominent Rome churches. These two madrigals are Finiz mes pleurs and Force sera que l oeil, par trop aymé. |
$12.00 |
|
recorder quartet SATB |
41 |
George |
Higgins |
1934 - 2007 |
Suite in G |
Intermediate level |
G. A. Higgins was a contemporary British composer. This suite of Gavotte, Sarabande and Bourree is written in a modern, yet lyrical style. |
$9.00 |
|
recorder quartet SATB |
43 |
J. S. |
Bach |
1685 - 1750 |
Contrapunctus 5 from The Art of the Fugue |
Moderately difficult |
Carefully arranged by Eiji Miki to be playable on four recorders. Fairly challenging, but well worth the effort. |
$13.00 |
|
recorder quartet SATB |
44 |
J. S. |
Bach |
1685 - 1750 |
Ten Chorales |
Moderately easy |
Arranged by Ron Napier. A further selection of these ever popular gems. |
$18.00 |
|
recorder quartet SATB |
46 |
J. S. |
Bach |
1685 - 1750 |
Contrapunctus 10 from The Art of the Fugue |
Moderately difficult |
Arranged by Eiji Miki. Another selection from this wonderful work made available to recorder quartets. Like AvP# 43 this is not easy, but rewarding. |
$11.00 |
|
recorder quartet SATB |
47 |
|
Wagner/Mendelssohn |
|
Wedding Music |
Easy |
The two essential wedding pieces. This arrangement came about when David Donaldson was asked to provide the music for a recorder-playing friend's wedding. |
$15.00 |
|
recorder quartet SATB |
77 |
J. S. |
Bach |
1685 - 1750 |
Aria & Variations from Goldberg Variations |
Intermediate level |
Arranged by R.D. Tennent. The introductory (and concluding) aria and 8 of Bach's 30 Goldberg variations on its bass line, arranged for 2, 3, or 4 recorders. |
$18.00 |
|
recorder quartet SATB |
80 |
G. B. |
Pergolesi |
1710 - 1736 |
Selection from Stabat Mater |
Intermediate level |
Five movements of Pergolesi's choral masterpiece, arranged by R.D. Tennent for four recorders. Transitional between baroque and galant styles. |
$20.00 |
|
recorder quartet SATB |
126 |
G. F. |
Handel |
1685 - 1759 |
Overture and Sinfonia from Solomon |
Moderately difficult |
Arranged by R.D. Tennent. The overture of the oratorio Solomon is in the familiar French style: a stately dotted-rhythm introduction leads into a robust fugue. The lively Sinfonia has become known as The Arrival of the Queen of Sheba, and is one of Handel s most popular compositions. |
$16.00 |
|
recorder quartet SATB |
129 |
William |
Boyce |
1711 - 1779 |
Two Orchestral Fugues from the Symphonies (Opus 2) |
Moderately difficult |
Arranged by R.D. Tennent. Boyce s eight symphonies, opus 2, are mostly based on music he composed for stage works or overtures to celebratory odes. These fugues are from Symphonies No. 6 and 8. |
$13.00 |
|
recorder quartet SATB |
134 |
Robert |
Schumann |
1810 - 1856 |
Two Fugues from Vier Fugen (Opus 72) |
Moderately difficult |
These are arrangements by R. D. Tennent of the first and fourth of the four fugues Schumann composed for piano, evidently modelled on the fugues in Bach s Well-Tempered Clavier. |
$12.00 |
|
recorder quartet SATT |
9 |
Michael |
Murray* |
born 1960 |
Etude |
Intermediate level |
Michael Murray is a well-known musician in Vancouver. Etude is more difficult than Kyrie (AvP# 6), but still well within the intermediate bracket. Written for the recorder group Consortium Gallorum. |
$7.00 |
|
recorder quintet AATTB |
15 |
William |
Byrd |
1543 - 1623 |
Non Vos Relinquam |
Moderately easy |
Byrd's writing is both rhythmically exciting and beautifully lyrical. This short motet for Pentecost arranged for recorders by Michael Murray is a good example of his sacred Latin style. |
$10.00 |
|
recorder quintet AATTB |
32 |
J. S. |
Bach |
1685 - 1750 |
Canonic Aria |
Intermediate level |
Arranged by R. D. Tennent. An arrangement of the aria Herr, du siehst statt guter Werke from cantata no. 9. A1 and T1 are in canon, as are A2 and T2. The bass ties it all together. Clever stuff! |
$8.00 |
|
recorder quintet ATTBB |
91 |
J.S. |
Bach |
1685 - 1750 |
Slumber Now |
Moderately difficult |
This aria is the third movement of Bach's Cantata 82 (Ich habe genug). It is certainly one of Bach's most profound movements. The unusual combination of an alto, two tenor, and two bass recorders in this arrangement by R.D. Tennent does justice to the serious tone of the piece. |
$13.00 |
|
recorder quintet ATTTB |
25 |
Philippe |
Verdelot |
c. 1470 - c. 1550 |
Two Madrigals |
Moderately easy |
Arranged by William Weldon. Verdelot was a French composer who spent most of his working life in Italy. These two beautiful madrigals are Madonna non so dir tante parole and Dormend'un giorno. |
$18.00 |
|
recorder quintet ATTTB |
26 |
Philippe |
Verdelot |
c. 1470 - c. 1550 |
Two More Madrigals |
Moderately easy |
Arranged by William Weldon. Verdelot was a French composer who spent most of his working life in Italy. These two madrigals are Donna se fiera stella and Altro non e'l mio amor. |
$18.00 |
|
recorder quintet SAATB |
34 |
William |
Byrd |
1543 - 1623 |
The Leaves Be Greene |
Moderately difficult |
Arranged by Michael Murray. These variations on a popular melody of the time feature several cross-relations and a variety of rhythmic patterns while maintaining the tune as it travels up and down through the parts. The result is an artistic tour de force. |
$13.00 |
|
recorder quintet SAATB |
42 |
George |
Higgins |
1934 - 2007 |
Variations on an Hungarian Folk Song |
Intermediate level |
G. A. Higgins was a contemporary British composer. This is a set of seven variations on a catchy folk song tune. |
$15.00 |
|
recorder quintet SAATB |
79 |
J. S. |
Bach |
1685 - 1750 |
Cantata No.4 Christ lag in Todes Banden |
Intermediate level |
Five movements of one of Bach's earliest and most famous cantatas, arranged by R.D. Tennent for 3, 4 or 5 recorders. Each movement is based on a 16th century chorale melody. |
$15.00 |
|
recorder quintet SATTB |
27 |
Orlandus |
Lassus |
1532 - 1594 |
Tristis est Anima Mea |
Intermediate level |
Arranged by William Weldon. A solemn five-part motet for Maundy Thursday - Stay here and wait with me. Orlando Lassus was one of the leading composers of his day. |
$9.00 |
|
recorder quintet SSATB |
18 |
J. S. |
Bach |
1685 - 1750 |
Fantasie in A minor |
Intermediate level |
Arranged by John R. Burgess from the Fantasie and Fugue in A minor, BWV 904, for organ. |
$8.00 |
|
recorder quintet SSATB |
35 |
Henry |
Purcell |
1659 - 1695 |
Lord, How Long? |
Intermediate level |
Arranged by Eiji Miki. A satisfying verse anthem from the Restoration period by one of England's great composers. |
$10.00 |
|
recorder trio AAB |
78 |
G. F. |
Handel |
1685 - 1759 |
Fitzwilliam Overture |
Intermediate level |
Arranged by R.D. Tennent from the original for two clarinets and horn (HWV 424). Five movements. |
$15.00 |
|
recorder trio AAB or ATB |
8 |
Antonio |
Vivaldi |
1678 - 1741 |
Concerto in G minor |
Moderately difficult |
Arranged by Kathryn Cernauskas. This is a delightful, challenging piece and a useful addition to the three-part consort repertoire. |
$18.00 |
|
recorder trio ATB |
12 |
Charles |
Nagel |
|
Partita II |
Intermediate level |
Charles Nagel is well-known to American recorder players as the publisher of Cheap Trills. Partita II is made up of four movements. |
$13.00 |
|
recorder trio ATB |
24 |
John |
Stanley |
1712 - 1786 |
Voluntary II |
Intermediate level |
Arranged by Mary Ann Franson. John Stanley was a blind, eighteenth-century organist. He wrote several volumes of organ voluntaries which arrange well for recorders. |
$10.00 |
|
recorder trio ATB |
33 |
G. F. |
Handel |
1685 - 1759 |
Suite |
Moderately difficult |
Arranged by R. D. Tennent. This suite was arranged from Keyboard Suite No. 4 (HWV 429), with only the fugal Preludio omitted. Consists of Allemande, Courante, Sarabande and Gigue. |
$8.00 |
|
recorder trio ATB |
36 |
J.-P. |
Rameau |
1683 - 1764 |
Allemande & Fanfarinette |
Intermediate level |
Arranged by R. D. Tennent. Rameau was an enterprising operatic composer, famed for exceedingly dramatic stage effects. These two pieces, originally from Pièces de Clavecin, exhibit typical French charm. Fanfarinette is familiar as the theme for the CBC radio programme Disc Drive. |
$8.00 |
|
recorder trio ATB |
40 |
G. F. |
Handel |
1685 - 1759 |
Se Tu Non Lasci Amore |
Intermediate level |
Arranged by R. D. Tennent. One of a set of 14 Italian duet cantatas published in London in 1711. The first movement was later reworked by Handel as O Death, where is thy sting? in Messiah. |
$13.00 |
|
recorder trio ATB |
114 |
Arcangelo |
Corelli |
1653 - 1713 |
Trio Sonatas, Volume 1 |
Moderately easy |
Each volume has three trio sonatas. Originally for two violins and basso continuo, in these arrangement by R.D. Tennent, the violin parts are given to alto and tenor recorders, and the continuo part to a bass recorder. |
$28.00 |
|
recorder trio ATB |
115 |
Arcangelo |
Corelli |
1653 - 1713 |
Trio Sonatas, Volume 2 |
Moderately easy |
Each volume has three trio sonatas. Originally for two violins and basso continuo, in these arrangement by R.D. Tennent, the violin parts are given to alto and tenor recorders, and the continuo part to a bass recorder. |
$28.00 |
|
recorder trio ATB |
116 |
Arcangelo |
Corelli |
1653 - 1713 |
Trio Sonatas, Volume 3 |
Moderately easy |
Each volume has three trio sonatas. Originally for two violins and basso continuo, in these arrangement by R.D. Tennent, the violin parts are given to alto and tenor recorders, and the continuo part to a bass recorder. |
$28.00 |
|
recorder trio ATB |
117 |
Arcangelo |
Corelli |
1653 - 1713 |
Trio Sonatas, Volume 4 |
Moderately easy |
Each volume has three trio sonatas. Originally for two violins and basso continuo, in these arrangement by R.D. Tennent, the violin parts are given to alto and tenor recorders, and the continuo part to a bass recorder. |
$28.00 |
|
recorder trio SAT |
4 |
Kenneth |
Meek* |
1908 - 1976 |
Pipers Three |
Easy |
Kenneth Meek was a Montreal organist and composer. |
$8.00 |
|
recorder trio SSA or ATB |
5 |
Thomas |
Morley |
1557 - 1602 |
Four Three-Part Canzonettas |
Easy |
Arranged by Ron Napier. Thomas Morley was a contemporary of Byrd. These pieces can be used as an introduction to consort playing or played as rewarding music in their own right. |
$13.00 |
|
voice (baritone) and piano |
135 |
Leslie |
Uyeda* |
born 1953 |
Plato s Angel |
|
Coming soon. Poetry by Lorna Crozier. |
|
|
voice (mezzo-soprano) and piano |
107 |
Leslie |
Uyeda* |
born 1953 |
The Great Sea |
Difficult |
A short aria. Poetry by Uvavnuk, a 19th Century Iglulik Eskimo woman. |
$12.00 |
|
voice (soprano or mezzo), flute and cello |
131 |
Leslie |
Uyeda* |
born 1953 |
Sakura Songs Volume I |
Moderately difficult |
Written as a homage to her Japanese Canadian heritage, Uyeda s five delicate, atmospheric miniatures celebrate the cherry blossoms that decorate the city of Vancouver BC each spring. All but one of the poems were winners in the 2007 or 2008 haiku writing contest of the Vancouver Cherry Blossom Festival. Also included is Uyeda s instrumental arrangement of Hanami Odori, a 17th century traditional melody, known in Japan as the Cherry Blossoms Viewing Dance. |
$28.00 |
|
voice (soprano or mezzo), flute, cello & piano |
132 |
Leslie |
Uyeda* |
born 1953 |
Sakura Songs Volume II |
Moderately difficult |
Four more songs celebrating cherry blossoms. The poems were all winners in the 2007 or 2008 haiku writing contest of the Vancouver Cherry Blossom Festival. Also included is Uyeda s instrumental arrangement of Sakura, Sakura - the familiar and popular ode to the cherry blossom. |
$30.00 |
|
voice (soprano) and clarinet |
130 |
Leila |
Lustig* |
born 1944 |
Altered Words |
Moderately difficult |
The playful words of Lisa Jarnot's poetry inspired Leila Lustig to create these five songs that she means to provide just as much fun for the singer and clarinetist. Two scores are supplied--one with the clarinet at concert pitch and one with the clarinet part transposed. |
$18.00 |
|
voice (soprano) and flute or flute duet |
137 |
Leslie |
Uyeda* |
born 1953 |
Two of Hearts |
Moderately difficult |
Composer s note: Recognizing the natural affinity between the flute and soprano voice, I decided to make Two of Hearts a wordless conversation, a kind of dramatic vocalise. The singer can choose whichever vowel, consonant or sound suits the moment, thus determining the nature of the drama. |
$9.00 |
|
voice (soprano) and flute/optional bass flute |
119 |
Leslie |
Uyeda* |
born 1953 |
Stations of Angels |
Difficult |
Set to two poems by Joy Kogawa, Zen Garden and Stations of Angels, the evocative sound of soprano and flute summons the other-worldliness and fragility of the words. |
$15.00 |
|
voice (soprano) and piano |
90 |
Leslie |
Uyeda* |
born 1953 |
Our Lost Hearts |
Difficult |
The seven songs tell one woman's story of love and loss, and of her journey to find peace and the courage to go on. All the poems are by Canadian poet Brenda Brooks. |
$26.00 |
|
voice (soprano) and piano |
99 |
Leslie |
Uyeda* |
born 1953 |
The First Woman |
Difficult |
Leslie Uyeda s third song cycle is about the total eclipse of Lilith and the slandering of Eve. Both women long to speak to one another, but cannot. Their stories are ours. Poetry by Lorna Crozier. |
$20.00 |
|
voice (soprano) and piano |
100 |
Leslie |
Uyeda* |
born 1953 |
In Baroque Reminiscence |
Difficult |
In preparation. Poetry by Brenda Brooks. |
in prep |
|
voice (soprano) and piano |
108 |
Leslie |
Uyeda* |
born 1953 |
And Love Says |
Difficult |
An apparently straight-forward, uncomplicated statement from the great Sufi master, Hafiz. Yet the composer set out on a musical journey that would ultimately reveal her own cautious, cantankerous approach to a belief in a goodness so sure of itself. The song ends not in resolution, but in hope. |
$12.00 |
|
voice (soprano) and piano |
118 |
Leslie |
Uyeda* |
born 1953 |
Offerings |
Difficult |
Set to poetry by Joy Kogawa, As Though It Were the Earth, Dance Lesson and Offerings are songs of the soul. These powerful and exquisite poems gently lead us into ourselves, to that place where we know that there is love, there is joy and hope when, or perhaps even because, we are so deeply wounded. |
$15.00 |
|
voice (soprano) and piano |
133 |
Leslie |
Uyeda* |
born 1953 |
Fresh Snow |
Intermediate level |
Set to a haiku by Sheila Rosen. |
$9.00 |
|
voice (soprano) and piano |
136 |
Leslie |
Uyeda* |
born 1953 |
One Willow Grows |
|
Coming soon. Poetry by Lorna Crozier. |
|
|
voice (soprano) and piano |
138 |
Leslie |
Uyeda* |
born 1953 |
Mother and I, Walking |
Moderately difficult |
Composer s note: This is an evocation of a Canadian Prairie winter - cold, harsh, alienating. But at its centre, Mother and I, Walking tells the story of a small child, who feels completely safe in her mother's love for her, a love that is tender, steadfast, primal. I have tried to depict this fierce love, which the surrounding bleakness cannot extinguish. |
$12.00 |
|
voice (soprano), clarinet and piano |
125 |
Leslie |
Uyeda* |
born 1953 |
The Sex Lives of Vegetables, Volume 1 |
Difficult |
Five witty and stylish cabaret songs for soprano, clarinet and piano that perfectly match Lorna Crozier s famous veggie poems. Steamy! |
$25.00 |
|
voice (soprano), flute and piano |
93 |
Kathryn |
Cernauskas* |
born 1948 |
Tasting Notes |
Intermediate level |
Written for a concert and wine tasting at a winery. As the title implies, the text is entirely made up of winespeak, the typical phrases used when describing the taste of wine. |
$13.00 |
|
voice (soprano), flute, clarinet and piano |
120 |
Leslie |
Uyeda* |
born 1953 |
Oracle Stones |
Moderately difficult |
Oracle Stones was composed for a concert at the restored copper mine (now the BC Museum of Mining) in Britannia Beach, BC. The evocative poem by Toronto poet Susan Ioannou speaks about stones and pebbles, precious gems, the sea, and a sparkling Trickster, all leading to their (and our?) transformation. |
$28.00 |
|
voice (soprano), flute/bass flute, piano and CD |
87 |
Leslie |
Uyeda* |
born 1953 |
Whales |
Difficult |
Written for a concert at the Vancouver Aquarium, this trio celebrates the beauty, majesty and mystery of whales. Brenda Brooks s exquisite poem and the music combine to express a great love of whales, but also a fear for their survival. The whale sounds on the CD are part of the piece. |
$36.00 |
|
voice (soprano), flute/opt. bass or alto fl., cello |
97 |
Leslie |
Uyeda* |
born 1953 |
Anniversary Toast |
Moderately difficult |
Written for a series of song evenings in a private home. The theme on this occasion was indiscretion. Brenda Brooks's specially written poem is nostalgic, smoky, and sharp. |
$11.00 |